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Tusia Dabrowska
Recent-ish Works
  1. temp.files (video art cooperative)
  2. OAK (proof of concept)
  3. I no longer believe we are good people 
  4. My Imaginary Friends
  5. Dystopiany
  6. Power Plants
  7. Uttermost Boundary
  8. Hybrids (misc)
  9. Magnetoreception (video poem)
  10. First World Passports (video poem)

Pre-pandemic
  1. New Women: Sally Ride
  2. Inside
  3. Electric Prop
  4. Dance Machines
  5. Diphthongs
  6. Na_miętnie (social practice)
  7. Poles on Poles (social practice)


Tusia Dabrowska — Info
  1. TUSIA DABROWSKA makes eco-social performances, experimental films and digital projects. Trained in Tactical Media and embracing the Slow Media methodologies, Tusia is particularly interested in mediated liveness and co-creation. Read more︎
Mark





My first exploration into video art.

DIPHTHONGS is a personal story of e/immigration and becoming the so-called Generation 1.5. Since the word for homeland takes on masculine or feminine forms depending on language, the video is divided into FATHERLAND and MOTHERLAND. The narrative explores the cultural constructs of belonging, civil disobedience, and a shared language.





Credits:
Tusia Dabrowska + VTR (Wiktor Freifeld)

Cinematography by Wawrzyniec Skoczylas
Costumes + Makeup by Dorota Ziolkowska

With Ula Januchta, Tomek Januchta, Agnieszka Klein, Weronika Majewska, Gyra Rusinska, Nina Skidan, Ola Szczodry, Anna Wronka

This video was made possible thanks to the support from the Puffin Foundation